Showing posts with label ST:TNG. Show all posts
Showing posts with label ST:TNG. Show all posts

7/14/2013

Fragments -- One of My Old ST:TNG Story Pitches: "However Improbable"


Back in the old days when STAR TREK: THE NEXT GENERATION was still in its first run, one of the more notable episodes was "Redemption: Part II", wherein Denise Crosby returned not as Tasha Yar, but as Sela, Tasha Yar's own daughter.  When, in the episode "Yesterday's Enterprise", the Enterprise-C returned to its original timeline from the alternate-the-Federation-is-getting-its-ass-whupped-timeline created when Enterprise-C was kicked into the future, the not-killed-by-black-porridge-monster Tasha Yar of that alternate-future returned with it, surviving the Enterprise-C's final battle but being captured by the Romulans, eventually bearing a child, Sela, by a sympathetic captor.  The alternate-Tasha was captured and executed after trying to escape with her young daughter.  Sela was raised as a Romulan, and became an enemy of the Federation.  (Are you with me so far?)

This was when I was still trying to sell movie scripts after having sold my own episode, "Clues", to ST:TNG.  But I still pitched story ideas to ST:TNG several times before the Toxic Boss From Hell threw a spanner into my writing gears (that unpleasant story told here), so when I cleaned out my office recently, a file folder of some of those story ideas came to light.  One of them was intended as a direct follow-up to the mystery of Sela.  I think subsequent episodes made my story idea obsolete before I had a chance to make the actual pitch.  But I thought it was a pretty good idea, so I present it here for the edification of the masses and, y'know, History!

"However Improbable"

(Picard tries to solve the mystery of Sela, the impossible daughter of Tasha Yar.)

With Sela, Picard faces the greatest puzzle of his career.  If this woman is actually Tasha's daughter, how could she be?

There may be one way to find out:  In the records of the original Enterprise is a description of a 'machine', the "Guardian of Forever", which reputedly can provide access to all of time and all possible times.  It is the nearest thing to omniscient that the Federation has yet found.

The Enterprise heads to the Guardian's planet.  After Kirk & Company had returned from their adventure years earlier, the Guardian had, apparently, shut itself down.  It had resisted all efforts at activation and analysis since then.  An unmanned station had been left there, to warn of any activity or the approach of any ship,

Picard's efforts to rouse the Guardian are to no avail.  Then -- surprise! -- Sela comes on the scene.  Seeking to regain face after the debacle of the Klingon civil war, and noting that the Enterprise was heading towards a planet the Federation appeared to hav deliberately concealed information on, she had cloaked her ship and followed the Enterprise.

It is the presence of Sela that activates the Guardian.  She is a chronic anomaly, the result of events that could not have occurred in the natural course of destiny.

The arrival of Sela and her guards, the sudden activity of the Guardian, all cause a pitched conflict.  The end result of which is that Picard, Data, and Sela go thru the Guardian's portal.

And end up... on the Romulan home planet, twenty-six years before, shortly before the altrnate-Tasha's doomed escape attempt.

Which is great from Sela's point of view: She's got twenty-six years of advance information she can give the Romulans.

Picard and data subdue Sela, disguise themselves, and enter the Romulan capitol in search of... answers.

Eventually they reach the alternate-Tasha.  And learn this is not the Tasha they knew, but one from a universe where the Federation had been fighting a losing war against both the Romulans and Klingons.

But the arrival of Picard and data gives Tasha back the hope she had lost, the hope that she might someday return to Federation space, even one differing from her own

Tasha insists on meeting the grown Sela.  She is shocked to see what her daughter has grown to become.  It increases her resolve to escape her captivity, and to take her young daughter with her.

The story can go two ways from here:

VERSION A:  Sela is also affected by th meeting.  She had previously nown her mother only thru her four-year-old's memories.  Now she sees Tasha with an adult's intelligence and reasoning.  And she sees a woman loyal to her people, loyal to her child.  A woman that Sela has to respect.

And when, during the escape attempt, the caper is blown and capture is imminent, Sela knocks out Tasha, swaps clothing, and takes her place.  When Sela-as-Tasha is executed, that triggers a return of the portal to return Picard, Data, and Tasha to their proper place.

Which means that only Picard and data return to the Enterprise they know.  The alternate-Tasha has been returned to her own universe, to a fate unknown.

VERSION B:  But despite Picard's efforts to persuade Tasha to a different course, to change history, Tasha is still betrayed by the young Sela, caught, and executed.

Returning to their own time, Picard is not only wracked by his own guilt, but Sela now considers him doubly responsible for her mother's death.  She departs, an even worse enemy than before.


Well, there you go.  I like to think that this pitch actually got bought, produced and broadcast, in some alternate timeline.


"Wibbly wobbly timey-wimey? WTF?"

5/03/2013

Old Stories

[long post warning]

As reported previously, I seem to have started writing fiction again -- completed fiction! -- in recent months, after a long dry spell since 2006.  Besides wanting to send those new stories out to markets, I thought some of the old unsold stories might be worth trying again as well.

So I spent a couple of hours the other night consolidating all my old story manuscripts into one location.  They were scattered over several old computers and a small stack of diskettes.   They now reside on a key drive; I'll get the files copied over into my current computer, then copy again onto a second key drive that will go into the safe-deposit box at the bank.  (Should I go to Google Docs and store them on the cloud as well?  I'll think about that.)

Yeah, yeah, this is all stuff I should have done years ago. 

I had a short period of distress when I couldn't find the diskette that contained the majority of the short stories.  All I found was a diskette labelled with the title of one story, "The Spearsister".  I thought I might end up having to retype almost everything into the computer.  (Whenever I finish a story, I print out a hardcopy and put it in a file cabinet.  I'm not totally irresponsible.)

But when I put that single diskette in the old drive, all the missing stories were included on it.  *whew*  (The one story that wasn't on that diskette?  "The Spearsister")


Ye Olde Mitac, RIP
I also found out that my 20-year-old old brick-shaped/brick-weight Mitac laptop (with a mind-boggling forty megabytes of memory!  Whoo-hoo!), the machine I wrote a lot of my fiction and scripts on when I was more prolific, would no longer power up.  (It still turned on as of a few years ago.)  Anyone need a doorstop?

Speaking of scripts: After selling the "Clues" script to ST:TNG in 1990, I tried to follow up on that success by writing and trying to sell movie scripts.  (Why not try for a television career?  Because it's almost mandatory to live in the LA area if you're a TV writer; giving up the security--  and health insurance-- of my Postal Service job and jumping naked into the shark-infested waters of freelance scriptwriting was too big a risk, even if Hilde had been willing-- she wasn't-- to live in LA.  It's possible, if rather more difficult, to try and sell movie scripts from a non-LA location, while still keeping your day job.)

[more below the break: Writing movie scripts; a sad, mad, bad Postal Service story; Wesley Crusher Gets Horny; and  a little bit more]